AJM Holy Trinity 25.3.07
am
Reading Mark 14.1-11
IntroductionGood
morning. I’d like to ask you a question. Here it is. Have you found Jesus?
There
he is, behind the curtain.
But
seriously, have you found Jesus? These two guys are asking this woman that
question. But do they know what they are asking? And is the Jesus who she
obviously has found the same as the
one they are wanting to talk to her about? For the implication is that she
knows a bit more about him than they do…
So.
Have you found Jesus? And if you have, have you decided who he is, and what you
are going to do about it? Because that’s what this passage is all about.
Let’s
pray.
Let
me start with a bit of scene-setting. It’s just before the Passover. The
Passover was a significant time. It was, and still is for the Jewish people, a
freedom festival. It celebrates the release of the people of God from slavery
in Egypt, and marks the beginning of the journey to the Promised Land. Jesus
has chosen it for the timing of his arrival in Jerusalem. That’s not a
coincidence. This is going to be a new Passover, the beginning of a new kind of
freedom, the beginning of a new journey to a new place.
So
it’s the Passover, and here Jesus is in Bethany, a village just outside the
city, the place where his good friends Mary and Martha and Lazarus live. He’s
been invited to dinner at the house of a man called Simon the Leper. This story
is told not just by Mark but also by Matthew and John. There’s a different story
in Luke, which has a different woman anointing Jesus at a different time and
place. The two are often confused. The woman in Luke isn’t named, but she’s
said to be a sinner and sometimes identified with Mary Magdalene – though Luke
doesn’t say that’s who she is. That event takes place in Galilee, much earlier
in Jesus’ ministry, and she anoints his feet. This incident, the one Mark
records here, takes place in Bethany. Mark doesn’t name the woman but both
Matthew and John identify her as Mary of Bethany – the same woman who had sat
at Jesus’ feet listening to his teaching while her sister Martha told her off
for not doing the washing up.[1]
So
that’s the Mary bit. But Mary isn’t the only figure we get confused about.
There’s Judas too. Judas is the other main person in this story. Judas
traditionally has been seen as a traitor, the one who for his own financial
gain sold Jesus for 30 pieces of silver. But here as Mark tells the story we
will see it’s not quite as simple as that. The usual view is this: Mary the
sinner goes over the top, Judas the traitor does the deal. But it’s a bit more
complicated than that. Theologians have been wondering what to make of Judas
for years, but recently it’s become a bit of a fashion to try and rescue his
reputation. We’ve had the gospel of Judas, which Bill will talk more about
tonight – and now Jeffrey Archer has apparently just written a new novel with
Judas as hero. Judas, they say, has been horribly misunderstood. So we will
need to look at that too.[2]
So we
can see already that this is quite a complicated story. But for me, the
complexity becomes even more obvious not when you look at Mary, or even when
you look at Judas, but when you look at Jesus, sitting there in the middle of
it all. Have you found Jesus? That’s an ancient question, it was one he himself
was fond of asking – who do you say that I am? - and it was one which even his disciples
had had difficulty answering. [3] In
this passage we see Mary answering it one way, and Judas answering it another
way. Outside the chief priests and the scribes had come to yet another answer –
Jesus was a dangerous threat to established religion, who needed to be arrested
quickly, and if necessary violently, somewhere well out of the public eye (perhaps
one of those dawn arrest jobs the police seem to go in for these days). And
then there’s a fourth group of people struggling for an answer – for inside the
room Mary’s action triggers a whole new debate. What is the correct response to Jesus,
his friends begin to ask themselves? Is this it, this ointment stuff? What
about the poor he himself had said he had come to save? [4]
The
whole thing is very confusing.
Let’s
start with Judas. Here he is, as two thousand years of Christian art have
represented him. This one is from a 14th century illustration of
Dante’s Inferno. It shows Satan as a 3 headed monster at the bottom of the pit
of hell, chewing the three greatest traitors of all time. They are Judas, Brutus
and Cassius (Brutus and Cassius betrayed Julius Caesar, founder of the Roman
empire). The one who suffers most is Judas, in the middle, because he gets lacerated
by Satan’s nails as well.
But
what do we know about Judas? Not much, is the answer. We know that he, like
many people in Palestine, was expecting a Messiah - because a Messiah had been
foretold by the prophets. But the Messiah who they thought they were expecting
was not quite the same kind of Messiah as Jesus was turning out to be. What
people were looking for was a political leader, a revolutionary who would
overturn foreign rule and restore Israel’s fortunes as a sovereign people under
her own king.[5]
Simon, and some think Judas too, had been part of the revolutionary movement
known as the Zealots. The Zealots, among other things, opposed the payment of
taxes to the Romans. That meant they’d been on a steep learning curve as they
watched Jesus. Should people pay taxes to Caesar, the provocative question had
come – the story is in Mark 12, only a couple of chapters ago. It must have
been hard for those with Zealot sympathies to watch Jesus reading the
inscription on the coin and telling its owner to give to Caesar what was
Caesar’s. [6] Not
the heroic, uncompromising stuff they’d been looking for.
Now
Jesus had said from the very beginning of his public ministry that he came to
proclaim the beginning of a new kingdom, the kingdom of God.[7] He
had spent a lot of time teaching about this kingdom, and trying to explain that
it wouldn’t be quite as they expected. They’d not always found it easy to understand.
James and John had asked in advance for senior cabinet positions, and been told
they’d no idea what they were talking about. [8]
But
Jesus had just ridden into Jerusalem, the seat of government, like a king, so
things were looking up a bit - except that he did it on a donkey, which seemed
a bit odd. He’d been greeted by the people as they would greet a king, with the
waving of palms and excitement as they lined the streets. [9] It
was going quite well, but there were some peculiar and worrying signs. Judas,
and some of the others, must have felt a bit uneasy. Was this guy going to
deliver? They’d seen his power on countless occasions. Was it all going to come
to a triumphant end, would the new kingdom be established; would the people of
Israel be delivered from their oppressors – or not?
And
so there they all are, sitting at supper, watching Jesus to see what he’s going
to do. And then Mary walks towards Jesus, Mary the sister of Martha, and sister
too of his friend Lazarus, whom he’d once raised from the dead.
Mary
has a pot of ointment made of nard – made to be precise from the roots of the
rare plant, spikenard. This plant didn’t grow in Israel. It’s actually a native
plant of the Himalayas, and had to be imported from India. It was therefore
horrendously expensive and this single jar of it is worth 300 denarii, the
dinner guests calculate – that is about a year’s wages for a labourer. Assuming
Mary hadn’t stolen it, it probably represented her entire life’s savings. So
what does she do? She doesn’t go down on her knees and present it to him as a
gift. Oh, no. She breaks the flask – very dramatic – and pours the ointment
over his head. Now this is way over the top. Judas and his friends can’t take
it at all. They protest – look, this money could have been used for the cause,
spent on the poor. We are talking thousands of pounds here. They look
expectantly to Jesus.
But
Jesus just says, leave her alone. She’s done a beautiful thing. Even more; it’s
a prophetic act; it foretells the anointing of my body for burial. You can do
good to the poor any time you like. But not to me. You will always have them;
but you won’t always have me. Mary will be famous throughout history for this
her gift to me.
At
that Judas can take no more. Maybe he thought Jesus’ arrogance just incredible.
Maybe he was suddenly overcome with the thought that he himself had got it
badly wrong, badly misjudged Jesus, made a fool of himself. At any rate, this
was the last straw. Here he was, giving up everything to follow this man
because he believed the future of the nation depended on it. It had sounded
great, all the stuff about announcing good news to the poor, all the healings,
the crowds, the sense that something momentous was about to happen; but now
when it came to it the guy just wanted to be pampered by women with perfume.
It’d obviously gone to his head. That can happen, can’t it, with leaders, if
they’ve been in the public gaze for too long. It doesn’t do them any good, they
can get overconfident. So Judas gets up in disgust and marches out. He goes
straight to the already plotting priests, and promises to take them to Jesus as
a time when the crowds aren’t around. And he might as well, seeing as money
could obviously be spent on personal requirements, have (according to Matthew)
30 pieces of his silver for his trouble.[10]
I
wonder what all that did to the atmosphere round the dinner table..
So
what do we make of all this? Well, I don’t know about you, but I can’t imagine
myself acting like Mary. It’s over the top. It’s extravagant. It’s not
sensible. It reminds me of King David making a fool of himself dancing in the
streets in front of the ark, to the deep embarrassment of his wife. [11]
Does she know what she’s doing? I imagine not. She will have known that oil was
traditionally used for the anointing of kings – and we can read that too, in Psalm
45. She will have known that oil was traditionally used for the anointing of
priests – and we can read that too, in Exodus 30. She will have known that oil
was used for the anointing of dead bodies – and according to John the rich
Pharisee Nicodemus turned up later with a hundred pounds of the stuff to do
just that with it, to anoint Jesus’ body for burial after the crucifixion.[12]
But
I don’t suppose she’s thinking of any of that. This is a passionate act, an
over the top act. It doesn’t look to me, regrettable though that is, like a
theological response borne out of careful study. It looks like a wordless
outpouring of love, commitment, devotion. Why does she do it?
Well,
we don’t know the answer to that question. But we do know Jesus approved of it.
Maybe it reflects something of God’s own passionate commitment, out of all
proportion, to his people. Maybe it is an act of love, responding to God’s many
acts of love – and anticipating the one he would perform in Jerusalem a couple
of days later.
Let
me read you a poem. It’s not about Mary, it’s about God. But it’s called ‘Oil
of Spikenard’, and it’s the poet’s comment on Mary’s action. It’s by Anne
Ashworth, and it’s addressed to God.
Oil of
Spikenard
What a spendthrift you are, sir,
a squanderseed wastrel!
Did they never teach you
the Puritan virtues?
Look at those puffball heads.
You toss your hair like a petulant schoolgirl, and
there –
how untidy you are! — it’s like dandruff.
Then there’s sperm,
not to mention the sand and the stars and the orange
pips.
It’s embarrassing, all this extravagance.
And not five minutes ago you painted a skyscape
in a whole fruit salad of pastels,
a study in citrous shades.
So now what are you up to?
You’ve rubbed it out and started again with blue.
Stop a minute and give us viewing time, you
throwaway artist.
Even when invention funds
are unlimited, surely the waste.
Couldn’t this oil of spikenard
have been sold and given to the poor?[13]
Maybe
Mary has understood something about God. Maybe she is giving back to him what
she knows he has given to us – while she still has the chance. Maybe that’s why
people like to identify her with the unnamed sinful woman in Luke – after all,
only someone who’d been forgiven a lot would act like this, wouldn’t they. Not decent,
sensible people like us. But that’s not the way Mark is telling it. And Mark
had it from Peter, and Peter was almost certainly there. It may even be that
Mark himself was there – the young man mentioned in verse 51 is usually taken
as being the author.
So
what then of us? What kind of response do you have to Jesus? Is it a carefully
thought out, sensible one, measured and English and reasonable? Or is it a passionate,
overflowing one, over the top and unashamed? I don’t think we are all called to
be like Mary; but at least some of us are, and the rest of us are supposed to
rejoice at it. Tom Wright, the bishop of Durham, points out in his commentary
on Mark that here is Jesus, surrounded by mostly men, and all of them are
expressing their opinions about what should happen. Some outside – how can we
get rid of this threat. Some inside – should he or should he not have said
that? And here in the middle of them all is Mary, who doesn’t say anything at
all. She just does something. Not for nothing, Tom Wright says, is this story
sometimes held up as an example of a woman getting it right while all around
her men are getting it wrong.[14]
At half term we went on holiday to Portugal.
We visited a particular church in the town of Lagos, now a museum. It was
dedicated to St Anthony, a 13th century Franciscan born in Lisbon.
As a Franciscan, Anthony dedicated his life to poverty and the aescetic life.
This is his church. Now as you see, there’s not much evidence of poverty or
asceticism here. Every single surface is covered in gold. You’re not allowed to
take photos, but Roger distracted the custodian and I managed to get this one.
What
did we think? Well, we thought it was awful. All that gold. Did the church not
have the faintest understanding of its mission? And then I began to think about
this passage, and I thought – hmm. People must have given the money for that to
be done, for God to be glorified. Would I have given mine? I can tell you, I
wouldn’t. Nor would I have bought the ointment. Nor would I have broken the
jar. I’m much too sensible for any of that.
So
how sensible does Jesus want us to be? How careful, how ordered in our
Christian lives? Maybe not as much as we think. As ever, we come back to the
conclusion that this life is all about relationship. Relationship with Jesus. Mary
understood that. Judas did not. Judas put the goals ahead of the relationship.
So
let’s go back to where we started. Have you found Jesus? Judas thought he knew
who Jesus was, and gradually it dawned on him that he’d got it wrong. He wasn’t
the only one to be confused – James and John had got confused, and Peter would
get confused, and angry too, as we shall see later on in this chapter. But
James and John accepted correction. Peter accepted Jesus’ rebuke and hung on in
there, following ‘at a distance’ as the soldiers marched him off, reluctant to
abandon the dream. I suppose the difference was that even when they were completely
flummoxed by what was going on, they continued to trust Jesus. Judas was the
only one who didn’t, and that is what distinguishes him from the others. Judas turned
against Jesus, and earned himself the worst reputation in human history as a
result.
So
the question that Judas couldn’t answer, the question that we began with, still
stands. Have you found Jesus; and if you have, have you worked out who he is
and how you are going to respond? Do you trust him, even if you can’t make
sense of what is going on around you? Do you love him, and what are you willing
to do in order to tell him so?
The
empty plinth

What
I want to do now is give us a chance to stop and think. I’m going to take us on
a little trip to see Jesus - not to Bethany but to London’s Trafalgar Square. Trafalgar
Square is known for its statues. Nelson stands imperiously at the top of his
column in the middle. Four giant lions guard the fountains beneath him; I used
to climb on them as a child. And in the four corners of the square stand 4
enormous plinths. Three of them have statues on, statues of great men, as
befits the square which lies at the heart of London, one of the great capital
cities of the world. The square was laid out in the 19th century, so
the statues are all of 19th century heroes. On one plinth is General
Charles James Napier, a British General and Commander in Chief in India. On
another is George IV on horseback. On another is Major General Sir Henry
Havelock, another Victorian military hero from the Indian Campaign.
The
4th plinth in Trafalgar Square, however, never got a statue, and it had
remained empty for 158 years. In 1999 a competition was held to mark the
Millennium, and a series of three winning statues temporarily occupied the
plinth for 6 months each.
One
of them was a statue by Mark Wallinger. It was a statue of Jesus. This is what
it looked like…
The
first thing that you notice about this statue is that it is ridiculously small.
In fact it’s life-size – whereas all the other statues are four or five times
larger than life, as befits their status as heroes.
Jesus,
by comparison, doesn’t look heroic. He looks ordinary... .vulnerable. .
.lost... .very human.
The
statue provoked some interesting responses.
Here
are some of things some of the people who first viewed the statue said about it
—
·
“You couldn’t put your faith
in someone like that, he’s a weak as a kitten.”
·
“His smallness just shows what little meaning
Christianity has in today’s world. He’s a typically lily-livered, Anglican
Jesus.”
·
“1 just want to go up there and give him a
hug. I never notice the other statues in the square — they’re just target
practice for pigeons — be he looks so vulnerable you just want to take him
home.”
And
this was the view of Sir Roy Strong, a distinguished historian and for a time
Director of the National Portrait Gallery just over the road from the square: ‘Only people totally ignorant of the
Square’s very definite theme could have chosen something so gloriously inappropriate’.
I suppose that’s exactly what Judas thought about Mary’s ointment. Totally
inappropriate.
Some
of the criticism came from Christians. He looks too human, too ordinary, they
said: neither heroic, nor especially fragile. But this statue expresses the
presence of Christ, and it was meant to ask the question the Millennium posed —
who exactly is he? And what place does he have in our society now?
·
His shaven head and barbed wire crown reminds us of concentration camps,
and I suppose the violence which was raging in Kosovo at the time. I imagine
that’s where Judas would have been, with the freedom fighters, fighting for all
the right things, for a just and free society. But Jesus is not shown here as a
heroic freedom fighter, but rather as a victim. And yet there’s more to him
than meets the eye – you can’t tell, for example, but his barbed wire crown is
made of gold.
·
And look at the expression on his face. We see none of Judas’s anger. His
bewildered expression invests the horror with no particular meaning. He looks
like an ordinary innocent caught up in something bigger than himself. His
passion was not Judas’s passion of anger; it was Mary’s passion of love, her
willingness to make sacrifices.
And
this was, surprise surprise, the sculptor’s intention. Mark Wallinger says — ‘I
wanted to show him as ordinary human being led out in front of a lynch mob. I
think he has a place here in front of all these oversized imperial symbols.’
So
what do we make of this Jesus? Someone’s said that it’s the embarrassing
ordinariness of this image that is so powerful. He just doesn’t look like the
triumphant king riding in to the city to proclaim a new era – it’s George IV
who manages to look like that. He doesn’t look like a conquering hero either –
it’s Havelock and Napier who look like that. This guy just looks like you and
me. Like the sort of guy you’d want to pour ointment over if you loved him,
perhaps.
So if
you want to find Jesus, maybe this is one of the places you can find him in. Who
is Jesus, for you? And how do you respond to him? With anger, like Judas who wanted
him to be someone else? Or with extravagant love, like Mary who poured her life
savings all over him? What does this unheroic hero mean for you? Let’s just
look at the image for a bit, and pray.
[1] Luke 10. Other accounts of
this incident in Mt 26; John 12; cp Luke 7.
[2] See H Marsh, The Rebel King, Albyn Press 1975 ch 12;
WH Vanstone, The Stature of Waiting, DLT
1982 ch 1
[3] Mk 8.27
[4] Lk 4
[5] The Wild Gospel, p 49-53
[6] Mark 12
[7] Luke 4; see Mark 1.15.
[8] Mark 10.
[9] E Bammel & CFD Moule, Jesus & the Politics of his Day, CUP
1970
[10] Matthew 26.14.
[11] 2 Samuel 6.
[12] Ps 45.7; Ex 30.22-33; Jn
19.39.
[13] Lion Book of Christian
Poetry, Lion 2005 p 71
[14] Mark for Everyone p 191.